Gingerbread Lady
Gingerbread lady,
no sugar or cinnamon spice,
years ago arthritis and senility took their toll.
Crippled mind movies in then out, like an old sexual adventure,
blurred in an imagination of finger tip thoughts−
who in hell remembers the characters?
There was George her lover near the bridge at the Chicago River
she missed his funeral, her friends were there.
She always made feather light of people dwelling on death.
But black and white she remembers well.
The past is the present; the present is forgotten,
who remembers?
Gingerbread lady.
Sometimes lazy time tea with a twist of lime.
Sometimes drunken time screwdriver twist with clarity.
She walks in scandals sometimes she walks in soft night shoes.
Her live-in maid smirks as Gingerbread lady gums her food,
false teeth forgotten in a custom imprinted cup
with water, vinegar, and ginger.
The maid died. Gingerbread lady looks for a new maid.
Years ago arthritis and senility took their toll.
Yesterday, a new maid walked into the nursing home.
Ginger forgot to rise out of bed,
no sugar, or cinnamon toast.
Harvest Time
(version 4 Final)
A Métis Indian lady, drunk,
hands blanketed over as in prayer,
over a large brown fruit basket
naked of fruit, no vine, no vineyard
inside¾approaches the
Edmonton,
Alberta adoption agency.
There are only spirit gods
inside her empty purse.
Inside, an infant,
refrained from life,
with a fruity wine sap apple
wedged like a teaspoon
of autumn sun
inside its mouth.
A shallow pool of tears starts
to mount in native blue eyes.
Snuffling, the mother offers
a slim smile, turns away.
She slithers voyeuristically
through near slum streets,
and alleyways,
looking for drinking buddies
to share a hefty pint
of applejack wine.
Charley Plays a Tune
Crippled with arthritis
and Alzheimer's,
in a dark rented room
Charley, plays
melancholic melodies
on a dust filled
harmonica he
found abandoned
on a playground of sand
years ago by a handful of children
playing on monkey bars.
He now goes to the bathroom on occasion,
peeing takes forever; he feeds the cat when
he doesn't forget where the food is stashed at.
He hears bedlam when he buys fish at the local market
and the skeleton bones of the fish show through.
He lies on his back riddled with pain,
pine cones fill his pillows and mattress;
praying to Jesus and rubbing his rosary beads
Charley blows tunes out his
celestial instrument
notes float through the open window
touch the nose of summer clouds.
Charley overtakes himself with grief
and is ecstatically alone.
Charley plays a solo tune.
Cat Purrs
Soft nursing
5 solid minutes
of purr
paw peddling
like a kayak competitor
against ripples of my
60 year old river rib cage--
I feel like a nursing mother
but I'm male and I have no nipples.
Sometimes I feel afloat.
Nikki is a little black skunk,
kitten, suckles me for milk,
or affection?
But she is 8 years old a cat.
I'm her substitute mother,
afloat in a flower bed of love,
and I give back affection
freely unlike a money exchange.
Done, I go to the kitchen, get out
Fancy Feast, gourmet salmon, shrimp,
a new work day begins.
Rod Stroked Survival with a Deadly Hammer
Rebecca fantasized that life was a lottery ticket or a pull of a lever,
that one of the bunch in her pocket was a winner or the slots were a
redeemer;
but life itself was not real that was strictly for the mentally insane
at the Elgin
Mental Institution.
She gambled her savings away on a riverboat
stuck in mud on a riverbank, the Grand Victoria, in Elgin, Illinois.
Her bare feet were always propped up on wooden chair;
a cigarette dropped from her lips like morning fog.
She always dreamed of traveling, not nightmares.
But she couldn't overcome, overcome,
the terrorist ordeal of the German siege of Leningrad.
She was a foreigner now; she is a foreigner for good.
Her first husband died after spending a lifetime in prison
with stinging nettles in his toes and feet; the second
husband died of hunger when there were no more rats
to feed on, after many fights in prison for the last remains.
What does a poet know of suffering?
Rebecca has rod stroked survival with a deadly mallet.
She gambles nickels, dimes, quarters, tokens tossed away,
living a penniless life for grandchildren who hardly know her name.
Rebecca fantasized that life was a lottery ticket or the pull of a
lever.
Mother, Edith, at 98
(Version #3 Jan. 05th 2008)
In a nursing home
blinded with
macular degeneration.
I come to you,
blurred eyes, crystal mind,
countenance of grace,
as yesterday's winds
have consumed
and taken you away.
"Where did God disappear to?"
you murmur
over and over again
like running water
or low voices
in prayer:
"Oh, there He is,
angel of the coming."
Phil and Betsy:
Illinois
Farmers
Illinois writer in the
land
of Lincoln
new harvest without words
plenty of sugar pie plum, peach cobbler pie,
buried in grandma sugar;
factory sweets and low flowing river nearby--
transports of soy bean, corn, and cattle feed
into the wide bass mouth of the
Kishwakee
River.
It is the moment of reunion,
when friends and economy come together--
hotdogs, marshmallows, tents scattered,
playing kick ball with that black farm dog.
It's a simple act, a farmer gone blind with the night pink sky,
desolate farmer, simple flat land,
DeKalb,
Illinois.
Betsy and Phil, invite us all to the camp and fireside.
But Phil is still in the field, pushing sunset to dusk.
He is raking dry the farm soil of salvation, moisture has its own
religious quirks,
dead seed from weed hurls up to the metal lips of the cultivator
pitting.
The full moon is undressing, pink florescent hints of blue, pajamas,
turned
inward near
midnight
sky against the moon naked and embarrassed.
Hayrides for strangers go down dark squared off roads with lights
hanging, dangling,
children humming school tunes, long farmhouse lights lost in the near
distance.
Hums till dawn, Christian songs repeat, over God's earth, till dead
sounds the tractor
pulls itself down, down to the dusk, and off the road edge.
It is the moment of reunion.
Harvest Time
(version 3)
A Métis Indian lady, drunk,
hands blanketed over as in prayer,
over a large brown fruit basket
naked of fruit, no vine, no vineyard
inside¾approaches the
Edmonton,
Alberta adoption agency.
There're only spirit gods
inside her empty purse.
Inside, an infant,
refrained from life,
with a fruity wine sap apple
wedged like a teaspoon
of autumn sun
inside it's mouth;
a shallow pool of tears start
to mount in native blue eyes.
Snuffling, the mother offers
a slim smile, turns away.
She slithers voyeuristically
through near slum streets,
and alleyways,
looking for drinking buddies
to share a hefty pint
of applejack wine.
I Am Old Frustrated Thought
I am old frustrated thought
I look into my once eagle eyes
and find them dim before my dead mother,
I see through clouded egg whites with days
passing by like fog feathers.
I trip over old experiences and expressions,
try hard to suppress them or revisit them;
I'm a fool in my damn recollections,
not knowing what to keep and what to toss out--
but the dreams flow like white flour and deceive
me till they capture the nightmare of the past images
in a black blanket wrapped up
and wake me before my psychiatrist.
I only see this nut once every three months.
It is at times like these I know not where I walk
or venture. I trip over my piety and spill my coffee cup.
I seek sanctuary in the common place of my nowhere life.
It is here the days pass and the years slip like ice cubes--
solid footing is a struggle in the socks of depression.
I am old frustrated thought;
passing by like fog feathers.
Rose Pedals in a Dark Room.
I walk in a mastery of the night and light
my money changers walk behind me
they are fools like clowns in a shadow of sin,
they're busy as bees as drunken lovers,
Sodom and Gomorrah before the salt pillar falls.
In a shadow of red rose pedals
drunken lovers walk changing Greek and Roman
currency to Jewish or Tyrian money--
they are fools, all fools, at what they do.
Everyone's life is a conflict.
They are my lovers and my sinners
I can't sleep at night without them
by my bed or the sea of Galilee.
Fish in cloth nets are my friends and my converts.
I pray in my garden alone; while all the rest
who love beside me sleep behind their innocence.
The rose is a tender thorn compared to my arrest.
and soon crucifixion.
It is here the morning and the night come together,
where the sea and the land part;
where the building crumbles
and I trust not myself to them.
I am but a poet of the ministry,
rose pedals in a dark room fall.
Everyone's life is a conflict.
But mine is mastery of light and night
and I walk behind the footsteps of no one.
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