I Can See Your Sadness And It Is In The Way You Move
shoulders all lower case
eyes look up already ready to close
one foot in front of the other
marching on to a death camp
clothes hang
like damp towels
in showers unused
hair mussed
like moss out in
quiet
unseen forests
man –
I can feel your sadness when you walk by me.
throwing blankets over
everyone's head
hoping you'll blind them
so no one sees
all I want to tell you
is there is a way out
the sliver of light
in the corner of your heart
is the passageway
don't forget it's there
and if you did
well
read this poem,
and remember
I wrote it just for you.
Monday Night
Lights as lush as sound
the bass drum kicking from the other room
2 lovers in the night
drape their arms around each other
They laugh. It's cheap.
So are the shots.
Candles bend, flicker, insult me
their fire, constant
me, getting weaker, confused, losing focus
Sound is hard
the clank of empty pints on the marble bar
shady characters in pork-pie hats
British accents, the smell of BO
the candles,
I'm just jealous,
the fire,
without ears to hear the cackles,
without a heart that will stop beating.
The Crush
You are gorgeous.
No drink could match
the thirst I have
for your golden skin
an ocean that is your hair
would not fulfill
sticking my fingers
into the tide pools
and tasting the salt.
I imagine
before sleep
you are the pillows beneath my hands
my sheets a spread of your skin
blankets that are your fingers
pushing down towards my stomach
this is the crush
the process of finding then wanting
perhaps you would allow me
to express my admiration
in the finest way I know
to see how we move
when there are no other words
but: more
and to make you come
with my crush yearnings
and some delicate
insertion
This language of
the flesh
time's and everybody's
antagonist
these little devious words
a rub on a magic lamp
bubble prayers
blown into the night
and the more I write
the more I can see
you and I in said acts
right before
my thirsty mouth
and my sleuth hands
as we make our
most subtle
pornography.
("The Crush" first appeared in the now defunct Zygote In My Coffee,
June, 2006)
Love.
the bed is a soldier
standing out there on the edge
I want to lay down
but the waves won't let me sleep
I can watch, but I can't touch
the metal tells my flesh no
it tells me
it's time I stabbed someone
other than myself.
The Writer
Someone who thinks
putting words down on paper
somehow is going to save them.
As if ink was Jesus
walking on a sea of tree limbs
a paper-salt cross laid on
an ocean full of dead ears.
As if brooding was some
destined possibility
opening up through verses
rather read than said
when logic explains casually
sitting before you
in a business suit:
"sorry sir–but we've foreclosed on any
dream you might have had
–we'll never make a dollar off of it
anyway"
his voice is dead-pan.
You feel like there's a camera
somewhere recording the whole thing
a movie nobody wants to watch
a song people forgot how to sing
but so what?
the business-man's face is a dried pear
a baked turkey face
full of gravy cheeks
mashed potato hair
butter eyes
and you keep on anyway
putting pen to paper
hoping the next word
will be a step towards
making breathing easier
cause you'd like to hear
the right voices in the theater
by doing this pen to paper intercourse
this verbal sex
this ingestion
putting figures to thoughts
placing letters where the hearts go
writing instead of
loading
suicide guns
pissing off the paper weights
sounding off
when everybody
was already
done
yelling
for the night.
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